HISTORICAL OR HYSTERICAL

Somehow we think the HYSTERICAL singer is involved in the music. The truth is, the singer makes us believe he is involved by manipulating the voice to make it what he wants. This is a "protected resemblance" of singing. The Historical path has been bypassed by the ego.

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THE FIREPLACE

When first lighting the logs, the flames blaze higher and higher until all the logs are burning. Little by little the flames die down, and we are now feeling the glowing embers emitting HEAT WAVES. No longer does the heat go up the chimney, but starts RADIATING warmth into the room.
RELAX THE BODY - NO SMOKE UP THE CHIMNEY!

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THE LARYNX - THE CULPRIT

Using the larynx to create vibrations is dangerous to the health of the singing voice. The voice is then controlled from the stomach up, unable to engage the vocal cords from the diaphragm below the waist. Air DOWN is your POWER. Air UP forces the larynx to do the work.

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NIPPED IN THE BUD

The voice is like the bud of a flower. For some reason the mind thinks that it must PUSH the bud OUT to become a flower, rather than allow it to bloom by itself. The mind is impatient and wants to help the flower bloom.

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Tom SchillingVOCALWAY
THE PYRAMID

In a documentary on making blue wine, the recipe was to combine white wine with red wine. When combined they make blue wine. The color of the Crown chakra is white. The color of the Root chakra is red. This combination transforms into blue wine.

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Tom SchillingVOCALWAY
PLEASE RELEASE ME

How can a sound be free if you’re holding on to the body? Physically using the body to manufacture a sound doesn’t allow the sound to fly free. Therefore the result is a “protected resemblance” of singing.

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Tom SchillingVOCALWAY